“A very simple, very pure momentum. Romanticism but without any flourishes. Emotions but without any frills,” explains Virginie Viard. “Movement, air… For the runway show, no frame. I don’t like framing.”
Freedom, energy, desire for the absolute. Gabrielle Chanel – always – whose racehorse was called ‘Romantica’, the film Les Biches by Chabrol for his Parisiennes who are as feminine as they are amazones, and a photo of Karl Lagerfeld wearing a striped suit with riding boots.
For this CHANEL Fall-Winter 2020/21 Ready-to-Wear collection, “almost no dresses, just casaques (jockey silks). Jodhpurs that open over seven-league boots, a nod to those belonging to Karl. For the first time there are press studs on the suits for a more lively gesture,” continues Virginie Viard. Lots of black and white. Just a few touches of pale green and the emblematic pink of the House. A softness. An outline, punctured with imposing jewellery.
In the mood with the fashion show concept, Lucia Pica created a very shiny beauty look: “The vibe and the energy of the makeup is a very heightened freshness with a 70’s twist. It’s about girls outdoors having blushed cheeks, glow on the skin. I added a touch of glamour by putting gloss on the lips. “